Review of Economic Research on Copyright Issues, 14(1/2), 45-54, 2017
This Panel concerns possible lessons for European copyright practitioners learned from the North American experience. I pose two key questions that arise from our existing copyright tariff setting processes: 1) do we need regulatory intervention to achieve appropriate prices?; and 2) how has the process worked so far and how can we make the process better?Click to read more.
Review of Economic Research on Copyright Issues, 2018, 15(1), 20-37
Estrella Gomez Herrera and Bertin Martens
The EU seeks to create a seamless online Digital Single Market for media products such as digital music and film. The territoriality of the copyright regime is often perceived as an obstacle that induces geographical segmentation. This paper provides empirical evidence on the extent of market segmentation in the EU on the supply side and measures the contribution of several drivers of this segmentation. We use data from the Apple iTunes country stores in 27 EU Member States. We find that availability of EU media products across country stores in the EU is hovering around 80 per cent for music and 40 per cent for films. Recent industry initiatives to reduce the transaction costs of making digital music available across borders have resulted in a reasonably wide availability though still short of the 100 per cent mark. Supply side factors including copyright-related trade costs probably still play a role in music though we can only infer this indirectly in the absence of data on copyright licensing arrangements at product level. Commercial strategies and territorial restrictions in distribution agreements reduce film availability, more so than copyright issues. We also find evidence of price differentiation across iTunes EU country stores.Click to read more.
Review of Economic Research on Copyright Issues, 14(2), 55-80, 2017
This study proposes a simulation model aimed at exploring how copyright law should be designed; that is, a desirable combination of copyright length and breadth. The model incorporates the specific properties of creative industries but is hard to deal with analytically because of its dynamic characteristics. Changes in social welfare under different copyright designs are thus examined by using numerical simulation. The simulation results reveal that a short and narrow copyright is the best, whereas a long and broad copyright is the worst. Moreover, in the long run, a long copyright can reduce social welfare even if the breadth is narrow.Click to read more.
Review of Economic Research on Copyright Issues, 2018, 15(1), 1-19
In recent decades, the problem of illegal downloading of copyrighted material has emerged as a major concern for governments across the globe. Many countries have implemented policies to limit the impact of online piracy on revenues of creative industries. These policies, while important for a broad range of industries, have been particularly lobbied for and supported by the motion pictures industry. Film production and distribution companies have repeatedly asserted that effective anti-piracy policy is crucial to their continued success. This paper seeks to evaluate whether the anti-piracy regimes in OECD countries have been effective. It also seeks to determine whether there are patterns to the types of policies that have been especially effective or ineffective.Click to read more.
Review of Economic Research on Copyright Issues, Vol. 4, No. 2, 1-3, 2007
Christian W. Handke
The Society of Economic Research on Copyright Issues (SERCI) Annual Congress 2007 was hosted by the Centre for British Studies at Humboldt University Berlin. The congress was fully subscribed with well over 90 registered participants from 18 different countries. It attracted 48 academic researchers who presented 27 papers, four of which make up this special issue of the Review of Economic Research on Copyright Issues. The SERCI Annual Congress 2007 also featured a special session on the economics of copyright collecting societies. This session proved particularly interesting to policy-makers and practitioners and triggered a diverse debate.Click to read more.
Review of Economic Research on Copyright Issues, 14(1/2), 39-44, 2017
Directive 2014/26/EC foresees that EU member States shall ensure that disputes between collective management societies and users concerning, in particular, existing and proposed licensing conditions or a breach of contract can be submitted to a court, or if appropriate, to another independent and impartial dispute resolution body where that body has expertise in copyright law. The Spanish Copyright Commission (Section I) aims to be that body in Spain. In order to reach this objective, the Commission has been empowered with new functions that will probably reduce the existing conflicts related to copyright licensing.Click to read more.
Review of Economic Research on Copyright Issues, Vol. 1, No. 2, 1-3, 2004
Francesco Silva and Giovanni Battista Ramello
The Information Society is closely linked to both communication processes and to the market exchange of information goods. Therefore the production of copyrighted works represents today a significant part, both quantitatively and qualitatively, of the economies of post-industrial countries. And in this scenario copyright is increasingly playing a pivotal role in markets.Click to read more.